Friday, February 4, 2011

I HAVE AN AGENT!!!

I've signed with Lucy Carson of the Friedrich Agency for my YA Fantasy! More details later, but I just couldn't contain myself any longer! I am super excited to work with her!

Wednesday, January 12, 2011

FRIENDS DON'T LET FRIENDS PLOT AND DRIVE

And you know exactly what I mean by that. One second you're putting on your sunglasses and backing out of the driveway. The next, you're pulling into work without any recollection how you got there--or if you even drove. Your daughter is no longer in the back seat. You wonder if you dropped her off at school, or if she was ever in the backseat to begin with. The only thing you know for sure is that you figured out that snag in your plot. The one you've been losing sleep over. In that moment, your delight overwhelms any embarrassment or shame you should feel about minding speed limits, stopping at red lights, or transporting your daughter to a safe place.

You turn off the car, grab the keys, and walk in the building as if you're a normal person. You wish, sucka! You're not normal. You're a writer. Welcome.

Saturday, December 11, 2010

REVISION REQUESTS

I've been working on revisions of my first novel, a romantic suspense, requested by an editor of a small press. I've got no problem with the revisions requested; in fact, I was excited to make the changes, as I wholeheartedly agreed with them. I'm finished with the revisions and have turned them in, and I should know by Dec 20th whether or not I have myself a contract.

But I wanted to share this experience with everyone: My voice changed! It had been a while since I even opened this manuscript to look at it. Since then, I've been working on my new YA paranormal (no fangs, claws, or wings, thankyouverymuch!) and I'm writing it in present tense teen-voice. So when I went back to make the revisions on my adult romance (where the main character is a doctor) I felt like a stranger in this world I'd created. Seriously, I felt it would be easier to cram into my nine-year-old's tights than re-create the original voice of the manuscript.

Plus, I kept writing it in present tense, no matter how many glasses of wine I drank. In the end, it took me and my critique partner combing through the manuscript as if looking for present-tense lice. When we both agreed it was good, I submitted it.

Is it good enough? I don't know. Am I nervous? You bet your sweet aspercreme I am! Still, we all know that writing is re-writing. Revisions are to be expected. And I'm thankful to have added "Revision Request" to my writing experience, even if I'm not offered a contract.

My question to you: Have you ever disagreed with a revision request and why?

Saturday, November 20, 2010

Basic Editing

Here are a few basic tips I follow when editing. Feel free to add in your own.

1.) Does your character do something too much? Giggle? Blush? Belch? Brush her hair aside? A character only has to do these things a few times for the reader to understand it's part of the character's personality. Brutally cut the rest.

2.) Don't be redundant with dialogue tags. It is not necessary to write, "But why can't I go?" she asked. It is not necessary to write, "She's always gets her way!" he shouted. And a conversation between two people needs very few dialogue tags at all. Don't burden your dialogue (and word count) with he said/she said. Make your tags count.

4.) Be refreshing. Use the search mechanism on your document and find words you use too much. Then visit your friendly neighborhood thesaurus to get rid of boring/over-used words.

5.) Be methodical. Read your manuscript over for typos only. Then read it over for numbers 1-4 only. Then read it over for voice/craft only. Isolating one problem at a time will help you make sure you didn't miss anything.

6.) Above all else: First draft work is zoo dirt. Don't send an agent/editor zoo dirt.

Tuesday, November 2, 2010

How Far is Too Far?

This past week I've been sick with the flu. Right now, my body feels like it wants to hibernate. If I weren't a writer, I would let it. But my story won't leave me alone. So I sit at the computer pumped up with flu medicine, tissues to the left, water to the right, cold-air vaporizer in the corner. For the past week, I woke up early every. Single. Morning. To write. In my sweatpants and socks, tissues crammed into my nostrils. Instead of sleeping in, instead of taking an extra long steamy shower to break up the phlegm. Instead of eating a good breakfast. Is this insane?

So, my question is: What is the craziest thing you've done in order to write? Post anonymously if you have to. Just tell me I'm not insane.

Sunday, October 17, 2010

INSERT PICTURE HERE

Because I expect to be published one day, and because many of my friends seem to be signing contracts these days, I've been giving thought to my public image. Sure, I'll never get the chance to press charges against the paparazzi. I'll never have to wear a wig and big weird sunglasses to avoid a potential fan mob. But eventually, you will be able to Google my name and come up with a picture of me. And the more I think about it, the more I want that picture to be professionally done.

We hear talk about how author websites need to appear professional, efficient, and informative. So then, your author pic next to your bio shouldn't be of you in hair curlers, or you sliding down a suspicious looking pole. Probably you don't want the camera-phone picture your best friend took of you with that big glob of ketchup on your chin.

Does a good picture have to be expensive? Nope. Should you hire a professional photographer? Probably. You want to put your best face forward (and if you're a woman, you know you have variety of faces) so you don't want to leave that public image up to chance, flash, thumbs, zits, or lighting that makes you look recently resurrected. Sure, you don't want to spend a fortune, but you don't necessarily have to. Maybe you could exchange advertising favors. Maybe you could negotiate the price, or get a discount for referrals.

Bottom line though, I plan to use a professional. What about you?

Monday, October 11, 2010

NOT GONNA HAPPEN

I think it's safe to say I won't be making the RWA Golden Heart deadline this year. I've got 36k words of a 65k word manuscript, and while I'd love to hurry up and register my place in the contest, there's this itty-bitty section that makes you promise the manuscript is complete. I. JUST. CAN'T. DO IT.

So here's what I'm gonna do. I'm gonna say that I have faith in my current WIP. That after it's spanked by my critique partners, after it's trimmed by the shaking scissors of self-editing, after it's shining so brightly I can use it to find my way to the bathroom at night: I have faith it will earn me an agent. Who will then win over a publishing editor. Who will offer me enough money that I can buy myself a flashlight instead of re-breaking the same toe on the corner of the door while I shuffle my way to the 2 am meeting.

So my question to you is: Have you or anyone you know ever landed an agent/publishing contract from entering a contest? And how often do you participate in writing contests, and what are your likes and dislikes about them? (No need to name specific ones, generalizing will do).